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Playbill Online (February
6, 2007)
"Spring
Awakening"
BroadwayWorld.com (February
7, 2007)
"Spring
Awakening "
BroadwayWorld.com (November
29, 2006)
"StudentsLive Career Day "
Playbill Online (February 20, 2004)
"Chicago, Avenue Q and Wonderful Town Take Part in Educator's Night on Broadway"
Variety (April 14-20, 2003)
"No traffic at 'Jam'"
Students prepped for "Def Poetry Jam" with three months of study,
including a seminar with performers and producer Russell Simmons. It's
typical of the way StudentsLive prepares kids for Broadway.
The Journal News (April 11, 2003)
"Teens make a 'Def' debut on Broadway"
by Walter Dawkins
While their classmates were sleeping through geometry last
Wednesday, two student poets from Ossining High School, Faryal Khan,
17, and Chris Barton, 16, were making their Broadway debuts, reading
poetry before some of their idols.
Barton, who read a poem he wrote about "faith, who I was meant to be,
and who I am now," was introduced to poetry through rap music. So it was
a special thrill to attend the interactive session hosted by the cast of
"Def Poetry Jam," and even get advice from hip-hop impresario Russell
Simmons.
Playbill Online (April 9, 2003)
"Broadway's Def Poetry Jam Workshop with 400 NY/NJ Students"
Peter Filichia's Diary - TheaterMania.com (January 17, 2003)
Students Live!
"I should point out that the 'Live' part of the name of
Students Live is pronounced with a long 'i,' but it could just
as easily be said with a short 'i.' Because here's a program that
makes students live and breathe in a way they never did before."
Playbill Online (October 3, 2002)
"Chicago Casting Directors Offer Casting Master Class"
Playbill Online (April 18, 2002)
"Interactive Chicago Lets Kids Decide: Is Roxie Guilty?"
The New York Times (April 18, 2001)
"Broadway Goes to School to Get 'Em Young
A Drive to Turn Children Into Avid Theatergoers"
by Robin Pogrebin
"Broadway producers have made a major turnaround in the last
three years," said Amy Weinstein, [president of StudentsLive], which
runs Broadway education programs for shows like "Rent" and "Chicago."
"There has been such an effort to reach out to young people, I think,
because it became very alarming how old the audiences were and producers
realized Broadway was becoming an exclusive market."
No research has tracked youngsters who were exposed to theatre in
school to see if they became regular theatergoers. But in a 1997 survey
by Audience Research and Analysis, a market research firm, 60 percent of
Broadway and Off Broadway theatergoers under 25 indicated that their
schools had exposed them to the theater.
The New York Post (April 23, 2000)
"It's a cyberstage"
by Neal Travis
Amy [Weinstein] has arranged for some 1,500 students to take part
in an interactive program with Bernadette Peters and the cast of "Annie
Get Your Gun."
The Record (March 18, 1999)
"Workshop lets teens find their voice on Broadway"
'Rent' actors share stage, experience"
by Jim Beckerman
"Five hundred
twenty-five thousand six hundred minutes/How do you measure, measure a
year?" a thousand voices sand in three-part harmony as the students belted
out the show's signature song, "Season's of Love" ... For some of the students,
most of whom were high school age, "Rent" - and theater itself - was a
new experience.
The Star Ledger (November 18, 1998)
"Young & Talented: Aspiring actors get a look behind the scenes"
by Allison Freeman
"Rent," a show
about love, relationships and AIDS, opened up the eyes of many students
at its first educational workshop.
Newsday (November 5, 1998)
"Advanced Stage of Learning: 'Rent' program gives students a chance to speak out
on issues"
by Naomi Serviss
Doris Smith,
one of the three Richmond Hills teachers accompanying the students, praised
the teens' maturity and intelligence. "These kids will gain much
from this experience, not only because the play is so entertaining and
the actors so talented, but because it underscores the problems they have
to deal with daily," she said.
Newsday (November 2, 1998)
"Making Their Broadway Debuts: 1,200 students get a taste of theater and performance"
by Steve Parks |